Showing posts with label welcome intruders. Show all posts
Showing posts with label welcome intruders. Show all posts

Sunday, 24 January 2010

Andrés Medina

From the series The Night Experience


Platform train station. Santa Eugenia. Madrid (Spain)
Yashica Mat 124G | Fuji Reala 100 | Hand-held



Basketball. Coslada. Madrid (Spain)
Yashica Mat 124G | Fuji Reala 100 | Tripod


From the Series Abandoned things


Abandoned building. Indoor. Madrid (Spain)
Yashica Mat 124G | Fuji Pro 800Z | Hand-held


All Images taken from his website

Saturday, 23 January 2010

Tuesday, 24 November 2009

RACHEL WHITEREAD




on casting with light.. and other things, of course

Saturday, 21 November 2009

Chris Engman



Three Squares, 2006

Archival inkjet print
40" x 25.625", edition of 8
58" x 37.250", edition of 6











Landscape for Benjamin (Trees), 2005

Archival inkjet print
40" x 23.125", edition of 8
58" x 33.625", edition of 6


Visit his website here for more images

Sunday, 8 November 2009

Anna Parkina


Zamki I Samki
2008
Collage and gouache on paper
41 x 43 cm


Blackscreanwritars
2008
Collage, ink and gouache on paper
42.5 x 50 cm



At Saatchi online gallery

Review at Frieze mag.

Wednesday, 14 October 2009

SOPHIE CALLE

At the Whitechapel Gallery from 16. Oct - 3. Jan 10 , with a special night on the 17th of Oct. 

'The sleuthing nature of Sophie Calle's work is uncanny in its playfulness regarding the stalker/stalked relationship, ...... Head upstairs for the earlier work, including The Sleepers (1979), where photographs capture the twenty nine strangers who once shared the artist’s bed. '   from the review at Jotta


Les Dormeurs, 1979


Room with a view


fiction





I hope, in between all this full agenda I can escape for a little visit to see the work of this lulu woman... (when i grow old, if i go lulu, i wanna do it the same way she has)

Monday, 15 June 2009

CLAIRE HARVEY

"Post-its" (detail)
Oil on Post-It Notes
Dimensions variable


"Last Lives"(detail)
Installation of salt, string, grape, foil, mirror with acrylic paintings on scotch tape. Photographed and presented as an installation on a mantlepiece.
Dimensions variable


"Look Up"
Oil paintings on acetate projected with overhead projectors
Dimensions variable


"The Break"
Oil on canvas
40 x 30 cm


"A4"
Oil on canvas
45 x 35cm


I found this images here, and this is another place to look at her work...

Friday, 27 March 2009

Monika Grymala

Ruptures, at the Drawin Room on Brunswic Laburnum Street, London, E2 8BD





"... Monika Grzymala’s installations function somewhere between an architectural intervention and immense line drawings. Grzymala’s installation for The Drawing Room is a personal response to the chaotic London sky-line, to the architectural space of the gallery and to the ideas explored in the Hayward Touring exhibition, ‘The end of the line: attitudes in drawing’, of which this commission is part.

Grzymala describes each drawing in space in terms of kilometres of used line which references the personal investment of time and energy. For Ruptures the lines will be created from sticky tape in varying tones of grey, a nod to the predominance of grey in our city. These lines will be interrupted and converge on given points, collide and ricochet, sending out reports, staccato marks to bombard other areas. Miraculously the eye will fill in the gaps, create the continuum capable of maintaining the velocity of the multiple lines. The rectilinear properties of The Drawing Room will be ruptured by the maelstrom of activity that punctuates the space...."

Her Webstite
























I found the review of her exhibition in Art Rabbit very interesting, and related it immediately with my research on space, yet when I visited the exhibition I found  it actually rather disturbing when in looking through her books in the Gallery I found this project called Colours a conversation with trees. An installation where fills op the space with branches painted in bright colours. This discovery was after I made my branches about territorial claims for the Crypt Gallery. Also at this time I started to find more and more work from other people working with colouful branches, Like Mattew Josep Spencer or the guerilla Knitting collective, somehow I did not find this inspiring. I wanted to continue with my project but in a different way. I went back to the research on uses of space and ways of claiming territories. 

Monday, 23 March 2009

Sash B

Sticky taping my Territory in a shared Space

Mapping the Connections, Mapping the in-between

















his profile

and an interview

In researching on space this work makes me think of the different Uses of its physicality. The notions of territory. Limits, Borders. 

Matthew Joseph Spencer

Orange Stick


Fat Bastard Mirror


his website..